The room's interior walls are made from milky white glass (bulletproof, knowing Hughes) and plastered with paperwork, taped and Blu-Tacked up in vaguely coherent masses. Where there is no paperwork, people have drawn directly on the walls in marker pen. There is a conference table, long and elliptical, covered with more paperwork and a tangle of laptop computers and serpentine power supply cables. Power has returned to the machines and they are slowly booting. A data projector warms up and shines a map of the world over the far wall, almost lining up with a network of scribbled annotations on the same wall. Post-It notes of all colours litter the carpet like autumn leaves.

Wheeler is almost there. She sees the shape of what Adam is describing. It's distant and unclear, but if she concentrates she might be able to bring it into focus. It worries her, for nebulous reasons she can't completely articulate, but she can almost understand how there could be room for it. How it could lock into her life as it currently exists, and still make sense.