aliasJen, DeJener8
pronounsShe/her
347written posts
offlinecurrently
Just a magical kitten
this is half 'just because i'm curious' and half because i have a want ad idea brewing in my mind i've been wanting to toss out (miserable arranged political marriage, chef's kiss) -- but when it comes to writing (and taking!) want ads, which types tend to interest you the most/tend to get the most traction, if you're the one posting them? i don't actually write a ton of want ads (real), so i'm curious; i know some people like to create whole, specific characters for people to pick up, with a defined/grounded backstory and personality & established role to play, and some people like to put out softer ads that err on the side of interest checks: more vague ideas that could be filled by both a new or pre-existing character, but provide a little less of a specific springboard like the former. which kind of sauce do you prefer/do you notice that other people tend to prefer?
so as someone whose currently most enduring character was a fill for two different want ads at once: yeah, I might have thoughts on this when writing a want ad: my general pitch consists of some backstory for the character, specifically how they know my existing oc (the EOC), what their relationship is like with EOC, and some potential plot hooks that the want ad taker (the WAT) can pick up on. I like to strike a balance between "no direction whatsoever" and "practically pre-written app", because it's what I personally prefer, so I might suggest some directions the want could take but without them being a requirement. For instance, for an "arranged marriage" want that did end up getting taken, I specified that the dynamic would be toxic/hostile at first, but could eventually evolve into anything from "they break up and it's a huge scandal" to "they fall in love for real" to "orientation incompatible but they remain close friends" and left it up to the WAT which they'd prefer, because I'm genuinely happy to write any of those plots if they end up shaping up that way. I tend not to specify names, genders, face claims, etc. unless it's absolutely necessary (like "must be widely assumed to be cishet male" for my arranged marriage want), just because some people get weirdly territorial over faces and the like. I don't generally write shipping or parent/child plots, so most of my pitches are for some kind of friendship dynamic (allowing for other people's EOCs to slot in) or for sibling groups. when taking a want ad: I go for ads that are of the same style as I like to write, which is to say, friend group/sibling dynamics where the want isn't a complete blank slate but also leaves room for the writer to put their own touches on the character. Which is to say, DO give me the "avengers inspired friend group" or "corrupt squad of assassin thief black ops" ( please, let me pretend to have the ride or dies I never got in real life) but I've slowly come to place increasing importance on whether I vibe with the other writer(s). I like to kick in my writing partners' DMs/mentions with backstory workshop, silly headcanons, and off-screen vignettes, for instance, and if that's not how a person likes to engage with their fellow rpers, it's probably best I know that as soon as possible so I don't bother reading any of their want ads, regardless of how appealing they seem to be on the surface. what other people seem to prefer: I notice that group ads tend to go faster than single ads, probably in large part because you get a ready-made group of people to plot with, as opposed to having your character's backstory only involve one other character and then have to go actively hunting for hooks with the other members. As far as single ads go, shipping ads seem to be the most taken, especially if you have a forum community that likes to pair people off/write people in pre-existing pairs. Beyond that, I haven't paid attention to whether open-ended or more detailed ads get taken more often.
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